I need some good ideas for what to sketch next - let me know by commenting here or on Facebook at facebook.com/regulascheifeleart.
Showing posts with label urban. Show all posts
Showing posts with label urban. Show all posts
April 5, 2015
On the Move
Inspiration taken from a photo as it's been raining cats and dogs all day. Day 9 of my '30 Days of Daily Sketching' challenge is practicing people on the move.
I need some good ideas for what to sketch next - let me know by commenting here or on Facebook at facebook.com/regulascheifeleart.
I need some good ideas for what to sketch next - let me know by commenting here or on Facebook at facebook.com/regulascheifeleart.
May 12, 2013
Workshop with William Wray
I haven't been posting a lot in the last months, but this longer hiatus just now was due to me being on vacation ;-).
I spent 10 wonderful days in the Washington, D.C. area - relaxing, sight-seeing (including the National Gallery in D.C. and a personal tour of the Capitol Building!), meeting up with dear friends... and of course painting.
I took a 3-day workshop with William Wray at the Easton Studio & School. What a great experience! I love William's Urban Landscapes - strong, modern yet timeless, often high contrast of light and dark, often wonderful development of colors. The almost abstract nature of some of his paintings definitely speak to me as well.
So of course I was looking forward to taking this short but intense workshop. William started off with a quick demo explaining how he always looks for and makes use of the fundamental idea of a three-value sketch. By identifying shapes of the same value - light, mid-value and dark - and clustering them together in the primary sketch as well as the first layer of painting, it is much easier to achieve a stong composition as well as good darks and lights. And it helps with staying loose and not getting lost in details..!
We spent the first two days sketching an painting outside, mainly concentrating on those three values. While it definitely did take us 'back to basics', it was such a great exercise and it tought me to START. WITH. SKETCHES. Every time, for every painting. Do it!
So, here's one of the sketches, done plain air. Very basic, three values. If the layout in the sketch doesn't work, it's probably not the best idea to do a painting of the subject - especially not plain air where you have just a limited time to paint before the light changes too much.
And that's what a color sketch would look like - still sticking with the three values (more or less....):
The third day we painted inside the studio from photos - still doing the values sketch and the color sketch before doing the 'actual' painting. Here's my first sketch and the painting from it:
And the final painting for this workshop - William provided a few photos to paint from, and I just loved the strong composition in this one. It did come together very quickly, so I think all the sketching and 'value observing' of the days before did work out here.
I really enjoyed the workshop, William's demo, teaching and help, meeting other great artists and last but not least our host Luis. And I'm ready to get painting now!
I spent 10 wonderful days in the Washington, D.C. area - relaxing, sight-seeing (including the National Gallery in D.C. and a personal tour of the Capitol Building!), meeting up with dear friends... and of course painting.
I took a 3-day workshop with William Wray at the Easton Studio & School. What a great experience! I love William's Urban Landscapes - strong, modern yet timeless, often high contrast of light and dark, often wonderful development of colors. The almost abstract nature of some of his paintings definitely speak to me as well.
So of course I was looking forward to taking this short but intense workshop. William started off with a quick demo explaining how he always looks for and makes use of the fundamental idea of a three-value sketch. By identifying shapes of the same value - light, mid-value and dark - and clustering them together in the primary sketch as well as the first layer of painting, it is much easier to achieve a stong composition as well as good darks and lights. And it helps with staying loose and not getting lost in details..!
We spent the first two days sketching an painting outside, mainly concentrating on those three values. While it definitely did take us 'back to basics', it was such a great exercise and it tought me to START. WITH. SKETCHES. Every time, for every painting. Do it!
So, here's one of the sketches, done plain air. Very basic, three values. If the layout in the sketch doesn't work, it's probably not the best idea to do a painting of the subject - especially not plain air where you have just a limited time to paint before the light changes too much.
And that's what a color sketch would look like - still sticking with the three values (more or less....):
The third day we painted inside the studio from photos - still doing the values sketch and the color sketch before doing the 'actual' painting. Here's my first sketch and the painting from it:
"Gotham Tower"
5" x 7"
"Tracks"
7" x 5"
I really enjoyed the workshop, William's demo, teaching and help, meeting other great artists and last but not least our host Luis. And I'm ready to get painting now!
Labels:
cityscape,
oil painting,
sketch,
travel,
urban,
US,
William Wray,
workshop
December 19, 2011
Charleston Last Light
Just what the title says - I crossed the road and was struck by the wonderful warm light breaking through the clouds.
We've had snow today and it's all christmassy, but I bet it's still nice and warm in Charleston...
Charleston Last Light
Oil, 8'' x 8''
We've had snow today and it's all christmassy, but I bet it's still nice and warm in Charleston...
Labels:
charleston,
cityscape,
oil painting,
urban
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